August 31, 2010

A Chat With Tony Award Winning Designer Roger Morgan

This post is based on my interview1 with Roger Morgan, Tony Award winning Lighting Designer, and (full disclosure) my husband. Roger is my business partner at Sachs Morgan Studio -Theatre Design Specialists and I’ve written about him in this blog. When I asked Roger about his toughest work challenge, he talked, I listened, and these are his words:

Well, you know I always enjoy challenges. The toughest? Probably when I’m short on the three basic ingredients required to plan theatre spaces:

Time. Space. Money. (TSM)

Keeping TSM in balance makes a happy owner and a successful project, so the first challenge is to convince the owner to invest some T. This is a tough sell. Why? A comprehensive Architectural Program is necessary to predict TSM, and a Program is hard to grasp.

Architectural Program: ar•chi•tec•tur•al (adj) pro•gram (n)
Quantified list(s) of rooms, spaces, floor areas, expressed
in net square footage and/or diagrams; prose descriptions of
qualities that can’t be characterized in data.

I think of the Program as the recipe for the design and construction of the project. Here’s the catch: an owner often expects to begin the project with the design. With no program. And with a budget.

Our job is to communicate the value of the Program to the decision makers, who are not usually in the business of building buildings. It can be tricky: we’re designers and we love to draw; owners are bottom-line-driven and want results. So it’s tempting for all of us to rush, and discipline is required. Otherwise the project gets out of hand, costs more than it should and doesn’t meet anybody’s expectations. That’s not the way we like it.

Here’s the way we do it:

THE DESIGN TEAM WORKS WITH THE OWNER AND USERS

Interviews + Observation + Comparisons + Documentation = THE LIST

THE LIST:
How many?
How big?
Why?
For whom?
For what purposes?
Near what?
Why?
+   How often
Sq Ft, Ht + adjacencies

TRANSLATE THE LIST INTO BUBBLE DIAGRAMS

Bubble Diagram Draft

REVIEW DATA WITH COST ESTIMATOR OR QUANTITY SURVEYOR

CONVERT:
Net Sq Ft to Gross Sq Ft
Apply $psf cost values
Synchronize with local construction costs
RESULT: a prediction of project cost

In 40 years, no one has ever said “We’ve gotta spend more than that…” I’ve never seen a preliminary cost estimate meet with contentment. It’s another challenge of my job, cuz accuracy and qualifications of the team are usually questioned.

This is often the most intense time of a project because its very life is threatened. Assumptions are challenged: “What can you live without?” Soul searching begins and programmed spaces may be reduced. Difficult decisions are made. Eventually the Program is brought into alignment with the budget. TSM is clear.

You know what’s amazing? This all happens before anyone has drawn a line. 90% of the most important decisions for the project have been made!

We’ve agreed on the recipe – now we’re ready to cook. For me, that’s the fun part.

1An earlier version was published in Theatre By Design, the Studio’s Newsletter

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2 Responses to “A Chat With Tony Award Winning Designer Roger Morgan”

  1. Greg says:

    Amen and amen. We can all be extremely creative to find solutions to design problems, but only after we know the constraints (e.g. program) that we’re working in.

  2. Ann Sachs says:

    Absolutely, Greg. Understanding limits is liberating. (It’s not a bad concept for child rearing either!)

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